The document provides a shot list and production notes for the film "Faster" categorizing it as a fictional action film. It details various shooting locations and scenes involving car chases, fights, shootouts, and a hospital setting. The shot list examines camera angles, edits, and visual elements used to build tension and engage viewers through the protagonist's first-person perspective.

1. ADVANCED PRODUCTION-RESEARCH-TRAILER RECORD SHEET
Film TE/ Question's raised Category Comments (on Genre, Shot list (B/W, SFX etc)
TR (True story, own reaction)
novel,
comic
fictional,
film,docu)
“Faster” TE Is the protagonist a "good guy" or Fictional, Aimed at Certification screen
a "bad guy"? Action, stereotypical
What is the significance of the representation of Succession in increasing speed:
car? men: fast cars, Aerial shot of car
Who does he need to forgive? women, guns, etc Fast edit
Who is in the photo? The fast editing Slight low angle, mid shot, mostly car
Who is he shooting? helps build tension Fade to black
Why does he have a gun? as we don’t have a Mid shot of actor putting on jacket
Where did he learn to fight? full view of every Fade to black
Who is the woman and are they scene. Close up, hand turning on car radio
in a relationship? The teaser seems Fade to black
Why is he in hospital? exciting and the Camera inside glove box, mid shot of actor
Which characters are on the viewer is engaged Fade to black
same side? and on the edge of Close up of hand holding photograph
their seats. Fade to black
We are made to feel Close up of putting photo in sun visor, very quick
part of the story by Fast edit
the shots of Close up, zoom in of photo in sun visor
characters looking Fade to black
into the camera. Fade in to back of car, very quick
We are made to Fast edit
accept the violence Close up, actor sat in car
of the film and see it Close up of gear leaver, very fast
as normal through Fast edit
the constant use of Close up of wheel beginning to spin
shots of weapons. Long shot car leaving drive
Long shot car driving away from camera up road
Long shot of actor crossing road, tracking
Mid shot actor crossing road, tracking

2. Close up of loading gun
Mid shot of pulling out gun
Long shot shooting gun
Mid shot shooting in a different location
Mid shot of above but from behind
Extreme long shot (establishing shot?) driving from one
side of the screen to the other
Long shot car driving towards camera
Close up of actor shooting
Mid shot of new character shooting back
Slow motion from below of bullets dropping out of gun
Long/establishing shot walking through pole-dancing
club
Same setting, mid shot walking towards camera
Mid shot, another new character punching
Shot from below, match on action of previous
Mid shot of return punch, slight low angle
Close up, punching towards camera as if we are
recipient
Long, low angle shot, door being kicked open
Mid shot, protagonist with gun
Long shot of car
Mid shot, unidentified hands cleaning guns
Long shot, man with back to us in office, framed by door
Mid shot of protagonist through car window
Mid shot, man in balaclava leaves shop holding gun
Mid shot from outside, two men, we see it is a bank
Long shot car driving away from camera
Mid shot woman opening gun cabinet
Mid shot woman loading a gun
Long shot protagonist in hospital
Close up man’s face
High angle protagonist in church
Mid shot protagonist shooting into camera
Title enters from left “THIS NOVEMBER”
Long shot tracking car driving
Close up flash of protagonists face

3. Long shot from side car skidding
Long shot from front car skids into camera
“DWANYE JOHNSON”
Close up protagonists face
Close up from behind protagonist walking tracking
Mid shot firing gun
“BILLY BOB THORTON”
Mid shot man in car
High angle of road as camera moves at speed
Mid shot and pan man with gun
Close up speed dial
Mid shot through smashed wind screen protagonist with
gun
Close up zooming in of woman
Flash windscreen with bullet holes
Long shot car explodes
Low angle long shot car flying through air
Low angle car skids towards camera
High angle long shot of line of police cars
Close up protagonists face
Fade in from white
Low angle of protagonist, longest shot of whole
sequence
“FASTER”
“NOVEMBER” enters as if driven on to screen
Fade to black!